![Man Ray, Hommage, this work is a continuation of the edition started in 1973, executed 2013](https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/louisaguinness/images/view/e4dc18334e7951942e205a2a80ec30e34b5f445c/louisaguinnessgallery-man-ray-hommage-this-work-is-a-continuation-of-the-edition-started-in-1973-executed-2013.jpg)
![Man Ray, Hommage, this work is a continuation of the edition started in 1973, executed 2013](https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/louisaguinness/images/view/6992f2ec6788d3af95dcc12bf32f3e4313243d30/louisaguinnessgallery-man-ray-hommage-this-work-is-a-continuation-of-the-edition-started-in-1973-executed-2013.jpg)
Man Ray American, 1890-1976
Hommage, this work is a continuation of the edition started in 1973, executed 2013
18k green & red gold
8.6 x 6.3 x 0.3 cm
36 g
36 g
edition of 12 executed by GEM - Montebello
signed and numbered '1973 Man Ray' (on the side) and stamped with with maker's mark 'GM' (on the reverse)
© Man Ray
Hommage echoes Man Ray’s 1933 image Monument à D.A.F de Sade. Here, the allusion to de Sade - including the crucifix - is turned on its head. The suggestion is...
Hommage echoes Man Ray’s 1933 image Monument à D.A.F de Sade. Here, the allusion to de Sade - including the crucifix - is turned on its head. The suggestion is as sensual as it is prophane. The ambiguous connotation, when we imagine the piece hanging on a woman’s chest, is humorous and provocative, becoming a talisman for worshipping the female form.